Author: Martin Herbert
Publication: Art Monthly, Issue 275
Press Date: April 2004
[Extract] "Lindsay Seers' … Then There Were Three, 2003, employs a two-headed, mechanised mannequin – which stares into a TV screen and sees a film in which a doppleganger dummy, with demonic white eyes, shakes its head violently as if trapped in some hellish liminal otherworld …"
See page 2, column 1, paragraph 2.